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An ever fixed mark: The Fairy and the Prince

In Issue 5 of 'An Ever Fixed Mark,' titled 'The Fairy and the Prince,' we witness the deepening bond between five-year-old Alex and Allie as their childhood friendship transforms into something neither fully understands but both feel profoundly. Alex, a thoughtful and earnest boy with glasses and brown hair, has become completely smitten with Allie, a spirited girl with auburn hair and deep blue eyes who wears a pink dress with yellow ducks. He measures his days by the moments they spend together at kindergarten under the watchful eye of Mrs. Callahan, their kind teacher. Alex's nanny Laurel observes his growing affection with quiet understanding, while his mother Madeline Huxley—a sophisticated woman frequently away on business in London—remains somewhat distant from her son's emotional world. His father Charles Huxley, however, becomes a willing participant in Alex's romantic pursuits, even helping him purchase flowers for Allie's ballet recital. When Allie invites Alex to her Dance of the Sugar Plum Fairy performance, Alex prepares meticulously, wearing a red sweater so she can spot him in the audience. At the recital held at Ridgeworth Theater, Alex experiences overwhelming emotion watching Allie dance, later presenting her with white roses and declaring his love in Shakespearean terms—calling her his 'ever-fixed mark.' The story crescendos with Alex meeting Allie's family: her protective older brother Jake Harper, who initially views Alex with suspicion but eventually respects his genuine devotion; her warm, nurturing mother Gwen Harper; and her father James Harper, who is both amused and moved by Alex's formal request for Allie's hand in marriage. After the recital, Alex is invited to the Harper home for spaghetti dinner, where he experiences the warmth and domesticity he lacks in his own grand mansion. The issue concludes with Alex and Allie's separation that evening, both tearfully aware of the depth of their connection. As the narrative jumps forward through the remaining months of kindergarten and into first grade, we see their friendship solidify into an inseparable bond, with both sets of parents embracing the children's relationship. By their sixth birthday, celebrated together at the Huxley mansion's pool party with Allie's brother Jake and his friends Henry and Billy present, Alex makes a silent wish that they will stay together forever. The story ends with Alex counting down the days until first grade, when he and Allie will reunite after her three-week visit to cousins, his heart forever marked by her presence. Page-by-page breakdown: - Pages 1-3: Opening establishes Alex's deep feelings for Allie at kindergarten. Alex is shown measuring his days by moments with Allie, noticing her freckles, her laugh, and the way her hand fits in his. He confides in his parents about his feelings, with his mother Madeline Huxley remarking he is 'smitten' and his father Charles Huxley teasing about a 'big wedding.' At night, Alex traces constellations on his wall, naming stars after promises to keep for Allie. Mrs. Callahan observes their close bond during circle time and naptime. [Characters: Alex, Allie, Madeline Huxley, Charles Huxley, Laurel, Mrs. Callahan] - Pages 4-6: Allie presents Alex with a pink, scallop-edged invitation to her ballet recital, asking him to sit front row center. Alex is emotionally overwhelmed, holding the invitation like sacred parchment. He makes a promise to be 'the loudest quiet in the room' for her. When Allie squeezes his hand three times (their secret code for 'I love you'), Alex responds by calling her his 'ever-fixed mark'—a phrase from Shakespeare that he cannot fully explain but feels means 'forever.' Mrs. Callahan hovers nearby, eyeing them suspiciously. [Characters: Alex, Allie, Mrs. Callahan] - Pages 7-9: The following morning, Alex greets Allie and her family at school with a bow and curtsy exchange. Jake Harper arrives with his father James Harper and is confused by Alex's formal greeting. Alex then formally asks James Harper for his daughter's hand in marriage, presenting a savings jar labeled 'Allie's Stars' containing seventeen dollars and forty-two cents, along with hand-drawn blueprints for an observatory. James Harper is moved by Alex's sincerity and agrees to 'revisit the paperwork' when they are old enough to ride the big roller coaster. Alex reveals that Charles Huxley will take him to Allie's recital, and Allie promises to look for him during her performance. [Characters: Alex, Allie, Jake Harper, James Harper, Charles Huxley] - Pages 10-12: Saturday morning of the ballet recital. Allie wakes early and prepares her hair in a high bun, excited that Alex will be in the audience. Jake Harper has a Little League game at Mallard Park that morning at 9:00 AM. Gwen Harper helps fix Allie's hair and applies lipstick, while James Harper insists Allie is already pretty. Meanwhile, Alex secretly rides his bicycle to Mallard Park to watch Jake's game from behind the bleachers, wanting to see Allie but remaining hidden. He observes Allie cheering for Jake's home run and watches her family celebrate. Alex then returns home before Charles Huxley realizes he was gone. [Characters: Alex, Allie, Jake Harper, James Harper, Gwen Harper, Charles Huxley] - Pages 13-15: At Ridgeworth Theater, Alex and Charles Huxley arrive with white roses. Charles purchases the flowers at a florist, and Alex clutches them nervously. Inside the lobby, Alex observes Allie's mother Gwen Harper and father James Harper. Alex takes his seat in the front row center, placing the roses beside him. The first two performances pass slowly—older girls dance, then very young girls who cry or dance out of sync. Finally, the overture for The Nutcracker begins. When the curtain rises, Allie appears in her periwinkle sequined leotard and tulle tutu, and Alex is utterly transfixed. Allie spots Alex in the audience, gives him a tiny smile and tilt of her crown, and performs flawlessly. Alex leaps to his feet cheering 'That's my wife!' causing laughter around him. After the performance, Alex rushes backstage and presents Allie with the roses, calling her the 'sugar plum fairy' and telling her she 'owned the whole sky.' [Characters: Alex, Allie, Charles Huxley, Gwen Harper, James Harper] - Pages 16-18: Allie and Alex reunite backstage at the theater. Allie reveals she spotted Alex during her performance and felt brave knowing he was there. Miss Jade, her dance teacher, scolds Alex for being backstage. Allie whispers that she is also performing in the Swan Lake finale and will be on stage left wearing white. Alex returns to his seat and watches the remaining performances, including Swan Lake, where he again leaps up cheering 'I love my wife!' Jake Harper gives him an approving nod from the audience. After the final curtain, Alex rushes backstage again, and Allie invites him to dance with her in the hallway. They sway together while other little girls giggle. Miss Jade interrupts again, and Allie leads Alex back to the lobby where her parents are waiting. Charles Huxley gives Allie flowers as well and compliments her talent. Gwen Harper invites Alex to dinner at their home that evening. [Characters: Alex, Allie, Charles Huxley, Gwen Harper, James Harper, Jake Harper] - Pages 19-20: Evening at the Harper home. Alex is driven to their house by Charles Huxley and experiences the warmth and domesticity he lacks in his own mansion. The home smells of cinnamon and lemon polish. Gwen Harper teaches Alex how to set the table, which delights him. During dinner, Alex serves Allie first before serving himself, and he praises Gwen Harper's spaghetti as the best meal he has ever had, even better than beef Wellington or lobster. After dinner, James Harper and Gwen Harper allow Alex and Allie to choose a movie. They select The Princess Bride. Jake Harper warns Alex not to break Allie's heart, and they shake hands in a man-to-man agreement. Allie changes into pink pajamas with a cupcake design and fuzzy cat socks but keeps her tiara on. During the movie, Allie falls asleep on Alex's shoulder, and he holds her close, imagining their future together. When Charles Huxley arrives to pick up Alex at 8:00 PM, both children tearfully say goodbye. Alex presses his palm against the car window as they drive away from the Harper house. At home, Alex presses his lips to his bedroom window and whispers 'Goodnight, Sugar Plum' to Allie across the distance. The final pages show a time jump: weeks turn into months, and Alex and Allie's bond deepens throughout kindergarten. They discover on Mrs. Callahan's birthday chart that they share the same birthday—May 22. Their parents become friends, and both families throw a combined sixth birthday pool party at the Huxley mansion. Jake Harper, now nine, attends with his friends Henry and Billy. Alex makes a silent birthday wish that he and Allie will stay together forever. Summer passes with them spending time in Allie's treehouse and making pillow forts. When Allie leaves for three weeks to visit cousins, Alex counts down the days and receives a postcard he keeps under his pillow. The issue concludes with Alex eagerly awaiting first grade, when he will see Allie again, gazing at the stars each night and whispering 'Goodnight, wife.' [Characters: Alex, Allie, Charles Huxley, Gwen Harper, James Harper, Jake Harper, Laurel]

RomanceVintage/RetroEnglish20 pages

Characters

Alex

Protagonist

Brown hair and glasses

Allie

Protagonist

Auburn hair and dark blue almost violet eyes

James Harper

supporting

Allie's father, a kind and protective man in his early thirties. He has short, neatly combed dark brown hair, warm brown eyes, and a fair complexion. He typically wears neat, casual vintage clothing such as a collared button-down shirt (perhaps a muted plaid or solid color) and well-fitted slacks, embodying a classic 1950s-1960s dad aesthetic. His face shows a mix of amusement and concern, and he has an approachable, good-natured demeanor.

Charles Huxley

supporting

Alex's father, a sophisticated and charming man in his early thirties with impeccable posture. He has short, neatly styled light brown hair, possibly with slight grey at the temples, kind blue eyes, and a fair complexion. He is always impeccably dressed in a tailored vintage suit (e.g., charcoal grey or navy blue) with a crisp white shirt and tie, and a matching overcoat, reflecting a refined 1950s-1960s businessman style. He has a warm smile and an understanding, yet easily charmed, expression.

Allie

Protagonist

Auburn hair and deep blue eyes.

Alex

Protagonist

Brown hair and glasses.

Jake Harper

Supporting

Henry

minor

Henry is a 9-year-old Latino boy with a mischievous glint in his eyes and a tendency to make disgusted faces. He has short, slightly messy dark brown hair, bright brown eyes, and light olive skin. He typically wears casual, retro-style children's clothing, such as a striped t-shirt and denim shorts, fitting a 1950s or 60s aesthetic. He has an average build for his age.

Brad Coleman

minor

A cocky, confident Caucasian teen boy with an athletic build. He has short, neatly combed dark brown hair and piercing brown eyes that often hold an unearned smirk. His posture is often casual but assertive. He wears typical retro 1980s school attire: a light blue polo shirt, a dark wash denim jacket, fitted blue jeans, and classic white sneakers.

Mrs. Callahan

supporting

Mrs. Callahan is a kind and engaging elementary school teacher in her forties or early fifties. She has neatly styled, shoulder-length light brown hair, warm brown eyes, and a pleasant, gentle smile. Her skin tone is fair. She typically wears practical yet stylish 1950s/60s attire, such as a knee-length A-line skirt in a muted floral pattern, a fitted blouse with a Peter Pan collar, and a soft, knitted cardigan. She completes her look with sensible low-heeled shoes and perhaps a simple pearl necklace. Her demeanor is calm and authoritative, yet approachable.

Madeline Huxley

supporting

Madeline Huxley is a sophisticated woman in her forties with polished features and an elegant demeanor. She has sleek, dark brown hair styled in a chic, voluminous bob or chignon, sharp green eyes, and perfectly manicured hands. Her skin tone is fair and well-maintained. She wears impeccably tailored 1950s/60s high-fashion clothing, often a fitted blazer in a luxurious fabric like tweed or wool, paired with a matching pencil skirt or a tailored dress. She carries a designer leather purse, wears elegant high heels, and has a posture that is always poised and controlled. Her expression is often a mix of tenderness and quiet impatience, reflecting her busy, high-status lifestyle.

Alex

Protagonist

Brown hair and glasses.

Laurel

supporting

Laurel is a middle-aged woman with practical features, serving as Alex's nanny. She has neat, short graying hair styled in a practical bob, alert blue eyes, and a kind, understanding expression. Her skin tone is fair. She is always dressed in a neat, modest fashion typical of the 1950s/60s, favoring a button-down cardigan in a solid color over a simple collared blouse and a tailored, dark-colored skirt. She carries a small, structured leather purse and wears sensible, low-heeled walking shoes. Her overall appearance is patient, professional, and reliable.

Gwen Harper

supporting

A warm-faced Caucasian woman in her late 20s to early 30s with soft, wavy auburn hair styled in a classic mid-length bob, framing her kind face. She has gentle blue eyes and a light complexion. She wears a neat, knee-length A-line dress in a soft floral pattern, characteristic of vintage 60s or 70s fashion, paired with sensible low-heeled shoes. Her overall appearance is approachable and charming, with a subtle retro flair.

Jimmy

Supporting

A teenage Caucasian boy with short, slightly messy dark brown hair and a smattering of light freckles across his nose and cheeks. His round eyes are a curious hazel.

Jake Harper

Supporting

A teenage Caucasian boy with slightly tousled auburn hair, similar to his sister. He has an average build and a friendly, slightly mischievous face. He's dressed in a striped t-shirt with a collared jacket, and sturdy blue jeans, reflecting a casual, vintage 70s schoolboy style.

Miss Jade

supporting

Miss Jade is a strict, elegant Black woman in her late 30s, with a stern expression that often conveys disapproval. She has dark, neatly pulled-back hair in a sleek bun, deep brown eyes, and smooth, warm brown skin. She is slim and poised, always dressed professionally in a vintage-style black leotard and a matching black knit cardigan, typical of a 1950s or 60s dance instructor. She carries herself with authority.

Allie

Protagonist

Auburn hair and dark blue (almost violet) eyes

Billy

supporting

Billy is a tall fourth-grade boy with dark, messy hair that falls slightly over his forehead. He has a naturally scowling expression that often makes him appear dismissive or mocking. His eyes are usually narrowed, but can widen in surprise or awe. His skin tone is fair, and his cheeks flush easily when embarrassed. He wears typical 1950s-era schoolboy attire, such as a collared shirt (perhaps plaid or a solid color), sturdy blue jeans, and sneakers.

Natalie

Supporting

A cheerful, confident Caucasian teen girl with bright blue eyes and shoulder-length brown hair styled in a high, bouncy ponytail with a retro scrunchie. She has an athletic build and a perpetual animated smile. She wears a classic 1980s-style cheer uniform: a fitted long-sleeved top in school colors (e.g., red and white) with a large letter 'A' emblem, a pleated A-line mini-skirt, white knee-high socks, and flat white sneakers.

Page 1

Panel 1: A modern kindergarten classroom bathed in soft morning sunlight through large windows. Five-year-old Alex, wearing brown-framed glasses and a striped polo shirt, sits cross-legged on a colorful rug surrounded by wooden blocks. He is constructing a castle with focused concentration, his tongue slightly protruding as he positions each block. Other children play in the background, but Alex is absorbed in his work. The classroom is warm and inviting, with alphabet posters and children's artwork covering the walls.

Page 2

Panel 1: Allie enters the classroom wearing a pink dress with yellow ducks printed on the fabric. She spots Alex at his block castle and walks toward him with a bright smile. She kneels down in front of him, her auburn curls bouncing slightly as she moves. Alex looks up from his blocks, his eyes widening as he sees her. The morning light catches the golden tones in both their hair.

Alex : I'm building you a castle. You're a princess, right?

Panel 2: Allie giggles, her head tilted slightly to one side. She reaches into her small backpack with both hands and pulls out a pink envelope with scalloped edges. The envelope is clearly special—delicate and precious-looking. She extends it toward Alex with both hands, as if offering something sacred.

Allie: I want you to come. It's my ballet recital.

Panel 3: Alex takes the envelope with both hands, his small fingers trembling slightly. He holds it like sacred parchment, turning it over to examine the scalloped edges and faint strawberry-eraser scent. His eyes are wide with wonder and emotion. In the background, Mrs. Callahan hovers near the reading corner, watching the two children with a knowing, watchful expression.

Alex : Sugar plum fairy. Front row, center. I promise.

Panel 4: Alex and Allie sit facing each other on the rug, surrounded by scattered blocks. Alex leans in close, his voice low and intense. Allie's deep blue eyes are locked on his face. The moment is intimate despite their age—two five-year-olds speaking with unusual sincerity.

Alex : When you dance, pretend the whole theater is just me. I'll be the loudest quiet in the room.

Panel 5: Allie reaches out and gently takes Alex's hand. She squeezes it three times in a deliberate, measured way—once, twice, three times. Alex's face registers the meaning of the gesture. His cheeks flush deeply. In the background, Mrs. Callahan's expression shifts to one of concerned observation.

Allie: You miss your mom when she's away, don't you?

Panel 6: Alex stares at their joined hands. His voice is barely audible—a whisper that only Allie can hear. Tears glisten at the corners of his eyes behind his glasses. Around them, the classroom continues its morning chaos, but they exist in their own quiet world.

Alex : She's in London. I keep her postcards under my pillow.

Page 3

Panel 1: Alex kisses the back of Allie's hand gently. His eyes are closed, and his expression is one of pure devotion. Allie watches him with wide eyes, her cheeks flushed pink. The block castle looms around them like a fortress protecting their moment. Mrs. Callahan has stepped closer, now definitely watching.

Allie: I love you.

Panel 2: Alex pulls back, his eyes bright with emotion. His glasses slip down his nose slightly. He speaks with the careful deliberation of someone quoting something important, though he doesn't fully understand it.

Alex : You're my ever-fixed mark. I think it means forever.

Panel 3: Allie's face breaks into a radiant smile. She leans forward and their foreheads almost touch. Around them, the classroom is a blur of color and movement—other children playing, building, creating—but Alex and Allie are the only things in focus.

Allie: Forever.

Panel 4: Scene transition: The classroom fades. A new morning at school. Allie walks through the classroom door holding her father James Harper's hand. Her brother Jake Harper walks beside them, looking bored and slightly annoyed. James Harper wears casual plaid shirt and slacks. Jake wears a striped shirt and jeans. Both have the same auburn hair as Allie. Mrs. Callahan greets them from across the room.

Alex : Hello, Allie!

Panel 5: Alex skips over to greet them. He stops a few feet away and executes a formal, exaggerated bow—his back bent at an angle, his right arm extended gracefully. His glasses slide down his nose as he bows. Allie immediately responds by lifting the side of her pink duck dress and executing an elaborate curtsy, her face radiant.

Panel 6: Jake's face contorts in disgust and confusion. His eyebrows furrow deeply. He looks at his father, bewildered. James Harper has a complex expression—trying to process what he's witnessing, his mouth slightly open. In the background, Mrs. Callahan watches with barely concealed amusement.

Jake Harper: What the—

Page 4

Panel 1: James Harper raises a hand to silence Jake. His expression is stern but contains a hint of suppressed amusement. He looks down at his daughter with a mix of confusion and parental concern. Allie stands with perfect posture, completely serious about what she is about to say.

James Harper: He's your... special little friend?

Panel 2: Allie shakes her head firmly. Her deep blue eyes are serious and unwavering. She stands tall despite being only five years old, her pink dress with yellow ducks perfectly framing her determined expression. Alex stands beside her, his hand reaching for hers.

Allie: He's my husband. My soulmate. My ever-fixed mark.

Panel 3: James Harper's eyebrows climb his forehead in shock. He looks away briefly, muttering something under his breath. Behind him, Jake rolls his eyes so hard it appears they might disappear into his skull. Alex grins widely and takes Allie's hand, lifting it to his lips in an old-fashioned gesture he's seen in movies.

Alex : My wife. My love.

Panel 4: Alex takes a deep breath and looks up at James Harper with complete sincerity. His small frame straightens as much as possible. He pushes his glasses up his nose with one finger. His voice wavers slightly but remains steady.

Alex : Sir, I want to ask for your daughter's hand. I love Allie.

Panel 5: James Harper squats down to Alex's eye level. His expression softens. He looks at his daughter, then back at Alex. A slow, genuine smile tugs at one corner of his mouth. Behind them, Jake looks like he's about to be sick.

James Harper: How do you plan to support my little princess, Alex?

Panel 6: Alex's knees knock together visibly, but he locks them. He reaches into his small backpack and pulls out a mason jar filled with coins and crumpled dollar bills. The label reads 'Allie's Stars' in careful crayon letters. He also produces a folded piece of paper with childish drawings and crayon lines.

Alex : Seventeen dollars and forty-two cents. And blueprints for an observatory.

Page 5

Panel 1: James Harper carefully unfolds the crayon blueprints. The paper shows a crude but detailed drawing: a domed building with 'Allie's Stars' written across the top in careful letters, stick figures of Alex and Allie holding hands, and lines indicating the North Star alignment. His expression shifts from amusement to genuine emotion. His eyes glisten slightly.

Panel 2: Alex stands with his chest puffed out slightly, speaking with pride about an incident that clearly meant something to him. His glasses are sliding down again. He squeezes Allie's hand as he talks.

Alex : Last week, Matthew grabbed her snack. I stood between them. She got to keep her cookies.

Panel 3: Alex's expression becomes intensely serious. His small face is grave and determined. He stares directly into James Harper's eyes with a maturity that seems impossible for a five-year-old.

Alex : I'll always keep her safe. I love her bigger than numbers. Bigger than all the stars.

Panel 4: James Harper slowly stands, the folded blueprints still in his hand. He looks at Alex with an expression that mingles respect, sadness, and wonder. Behind him, Jake's expression has shifted from disgust to something more contemplative. Allie leans toward Alex like gravity is pulling her toward him.

James Harper: When you're both tall enough to ride the big roller coaster, we'll revisit the paperwork. Deal?

Panel 5: Alex stops breathing. His eyes widen. He extends his small hand solemnly toward James Harper. They shake hands once—a formal, serious gesture. Alex's hand is tiny in James Harper's grip.

Alex : Deal, sir.

Panel 6: Allie releases Alex's hand and throws her arms around her father's neck, kissing his cheek. James Harper holds her close, but his eyes are distant and sad. His hand gently touches her auburn hair. Behind them, Alex watches with complete adoration, and Mrs. Callahan observes the entire scene from the classroom doorway.

Allie: You can give me away at our wedding, Daddy.

Page 6

Panel 1: James Harper stands with Allie in his arms, looking down at her with an expression of tender concern. He gently runs his hand over her auburn curls. A tear slides down his cheek—one he didn't realize had fallen. Behind him, Jake stands with his hand on his shoulder, and Mrs. Callahan watches from the classroom with a soft, understanding expression.

James Harper: Don't grow up too fast, baby girl.

Panel 2: James Harper sets Allie down and places his hand on Jake's shoulder. Jake looks up at his father with a mixture of confusion and understanding. Mrs. Callahan has stepped forward slightly, her expression warm and knowing.

James Harper: Come on, son. Let's get you to school.

Panel 3: Jake turns to leave but pauses. He glares at Alex with the protective intensity of an older brother. His expression is stern and serious. Alex stands beside Allie, still holding her hand, completely unafraid.

Jake Harper: You're both weird. Why would you want to get married anyway? Cooties.

Panel 4: Allie waves her hand dismissively with a giggle. She stands on her tiptoes, trying to match Jake's height but falling far short. Her confidence is absolute. Alex grins beside her, clearly enjoying her response.

Allie: Don't mind him, Alex. He'll probably stay a bachelor forever.

Panel 5: Alex's expression becomes dreamy and excited. His eyes widen with wonder. He bounces slightly on his heels. Behind him, Mrs. Callahan smiles knowingly.

Alex : My dad's taking me to your ballet recital tomorrow! I'll wear my red sweater so you can spot me.

Panel 6: Allie's eyes widen with hope and slight nervousness. She bites her lower lip. Alex reaches out gently and rests his thumb under her chin, the way he remembers seeing it done in old movies. His expression is tender and reassuring.

Alex : Stage fright's just your body telling you something big is happening. I'll be your runway lights.

Page 7

Panel 1: Saturday morning at the Harper home. Allie wakes early in her bedroom, sunlight streaming through lace curtains. She sits up in bed with excitement, her auburn curls tousled from sleep. Her ballet recital is at 1:00 PM. She wears pale pink pajamas. Posters of ballet dancers cover her walls.

Panel 2: Allie stands at her vanity mirror, attempting to style her hair into a high bun. Her tongue sticks out the corner of her mouth in concentration. She holds a comb in one hand and bobby pins in the other. The vanity is decorated with child-sized ballet posters and a small music box. She wears her pink pajamas.

Panel 3: Downstairs in the Harper kitchen. Jake sits at the breakfast table wearing his Little League Comets uniform, his baseball cap on backwards. He's scarfing down a waffle with the intensity of someone who has a game soon. James Harper sits at the head of the table, the newspaper folded beside his coffee cup. He smiles warmly as Allie enters the kitchen in casual clothes—jeans and a light sweater.

James Harper: Good morning, princess.

Panel 4: Gwen Harper comes down the stairs holding a hairbrush and bobby pins. She moves behind Allie and begins working on her bun, fixing what Allie has already attempted. Her expression is patient and loving. She wears a vintage floral dress typical of the 1960s.

Gwen Harper: Sweetheart, let me help. You have forty bobby pins in there.

Panel 5: Allie looks up at her mother with excitement, her eyes bright. Gwen's hands work skillfully through her daughter's auburn curls, pulling them into a neat, tight bun. The intimacy of the moment is clear—a mother preparing her daughter for something important.

Allie: Alex is coming to my recital, Mommy. Can you make me extra specially pretty for him?

Panel 6: James Harper clears his throat and looks up from his newspaper. His expression is fond but firm. He's a protective father, but not unkind. In the background, Jake continues eating his waffle, oblivious.

James Harper: Allie, you're already pretty. You don't need lipstick.

Page 8

Panel 1: A few blocks away at the Huxley mansion. Alex's bedroom is large and impeccably decorated—expensive furniture, pristine carpet, but emotionally cold. Alex blinks awake, sunlight already high through the windows. He wears blue pajamas. The room feels lonely despite its size.

Panel 2: Alex quickly gets dressed in his red sweater—the one he promised to wear so Allie can spot him. He pulls it over his head with urgency. His glasses sit crooked on his face. He moves with the energy of someone who cannot wait for something important.

Panel 3: Alex hops on his bicycle, a small red bike with training wheels. He pedals as fast as his five-year-old legs can manage, heading toward Mallard Park. The street is quiet on this Saturday morning. He's dressed in his red sweater, and his determination is absolute.

Panel 4: Alex coasts behind the bleachers at Mallard Park, staying hidden. He crouches low, pretending to tie his shoe. Through the chain-link fence, he can see the field where Jake's Little League team is warming up. The Harpers' minivan pulls into the parking lot. His heart visibly races.

Panel 5: Allie steps out of the minivan wearing jeans and a Mets hoodie. Her auburn hair is twisted into the high bun her mother fixed. She looks beautiful and innocent. Alex presses his back hard against the fence, the chain-link diamonds leaving checkerboard patterns on his palms. He watches without being seen.

Panel 6: Alex circles the field and climbs into the bleachers, sitting behind a trio of mothers with thermoses of coffee. From this vantage point, he can watch Allie without being caught. He leans forward, his elbows on his knees, his entire attention focused on her. She laughs at something Jake says, and the sound makes Alex's heart clench.

Page 9

Panel 1: Jake is at bat. He swings hard, his Little League uniform crisp and clean. The bat connects with a crack. The ball flies high into the bright blue sky. His teammates cheer from the dugout. In the bleachers, Allie jumps up and down, cheering for her brother. Alex watches her, mesmerized by her joy.

Panel 2: The baseball soars over the outfield fence—a home run. Jake runs the bases with his teammates high-fiving him. Allie's family celebrates in the bleachers. Alex watches as Allie's face radiates pure happiness at her brother's achievement. He decides in that moment that Jake cannot be entirely bad.

Panel 3: The game ends with Jake's team winning 6-4. Alex jogs back toward the bike rack, moving quickly before his father realizes he was gone. The Huxley mansion has fourteen bedrooms—Charles likely hasn't noticed Alex's absence. The morning is still early enough that no one has missed him.

Panel 4: Allie stands in the parking lot with her family, looking out across the field. For just a moment, she could swear she sees a familiar figure riding a bike away from the park. She blinks and rubs her eyes with her knuckles. Her heart flutters. She looks uncertain—did she really see him, or was it just her imagination?

Panel 5: Jake stares at his sister with confusion. His Little League uniform is dusty from the game. He notices her strange expression—the way she's looking toward the parking lot, the flush in her cheeks.

Jake Harper: What the hell is wrong with you?

Panel 6: Gwen Harper's head snaps immediately toward Jake. Her expression shifts to stern mother mode—the look that could force hardened criminals to behave. She glares at her son with unmistakable disapproval.

Gwen Harper: Jacob! Don't talk to your sister that way!

Page 10

Panel 1: Jake rolls his eyes and nudges his friend Henry, who stands beside him. Both boys have the casual cruelty of older children. Jake's expression is dismissive as he makes a gagging sound. Henry looks at Allie with confusion and mild disgust.

Jake Harper: Allie has a boyfriend. The kid's a nerd, too.

Panel 2: Allie stands on her tiptoes, trying to match Jake's height despite being nearly a foot shorter. Her expression is confident and unbothered. She speaks with absolute certainty.

Allie: He's not my boyfriend. He's my husband.

Panel 3: Henry contorts his face in disgust. He and Jake exchange knowing looks—the superior expression of older children mocking younger ones. Jake high-fives Henry as Allie sticks her tongue out at both of them in response.

Henry: That's gross, Allie. Cooties.

Panel 4: Allie follows her parents toward the minivan, walking with dignity. She's completely unbothered by the boys' mockery. Her parents exchange amused glances as they watch their daughter's confidence. Behind them, Jake drags his baseball bat behind him, muttering about having to sit through a boring ballet recital.

Panel 5: Inside the minivan, Allie sits in the back seat and buckles her seatbelt. She pats the space beside her as Jake climbs into the furthest back row. The minivan smells of summer and family. Through the windows, the town passes by as they drive toward the theater.

Panel 6: Allie gazes out the window as the minivan drives through town. Her bun is perfect. Her expression is a mix of excitement and nervous anticipation. The clock shows it's getting closer to 1:00 PM. She thinks about Alex in his red sweater, sitting front row center, and her heart flutters with hope.

Page 11

Panel 1: The lobby of Ridgeworth Theater, a grand old opera house with marble steps and ornate chandeliers casting warm light. The space is crowded with mothers in fur collars herding tiny dancers through brass doors. Program papers wave like fans. Alex stands beside his father Charles Huxley, clutching a bouquet of white roses wrapped in cellophane with a light blue ribbon. The roses are held behind his back. Charles wears a charcoal grey tailored suit and overcoat. Alex wears his promised red sweater, his glasses slightly crooked on his face. His eyes scan the crowd with nervous anticipation.

Panel 2: Inside the theater, the ornate house is dimly lit. Red velvet seats fill the rows. Alex sits dead center in the front row, his small frame barely visible above the seat back. The white roses rest on the empty seat beside him, reserved for Charles. The stage curtain is icy blue, matching the ribbon on the roses. Alex's hands grip the edge of the seat. His eyes are fixed on the closed curtain with absolute focus.

Panel 3: Charles Huxley slides into the seat beside Alex, settling his overcoat around him. He glances at his son with an amused, knowing smile. Alex doesn't look away from the stage. The program rests in Charles's lap. Around them, the audience settles—parents craning necks, programs rustling, whispers filling the space. The lights begin to dim.

Charles Huxley: You're really excited, aren't you?

Panel 4: The stage curtain rises. Five older girls, probably around Jake's age, dance in synchronized formation wearing classical ballet costumes. The music swells. Alex's leg bounces rapidly beneath the seat. He glances toward the next aisle where he can see Jake's head in the audience. Jake is watching one particular blonde girl dance, his cheeks flushed. Alex catches this and smirks to himself, understanding something new about his rival.

Panel 5: The first performance ends. The older girls bow as applause erupts. Alex barely claps—his attention is already on the program in his lap. He finds the entry: 'THE NUTCRACKER, ACT II. Dance of the Sugar Plum Fairy.' His finger traces the words. His heart visibly races, his chest rising and falling quickly. Charles notices and places a steady hand on Alex's shoulder, a silent reassurance.

Panel 6: A group of ten very young girls, aged two or three, stumbles onto the stage. Some cry. Some dance completely out of sync with the music. Parents in the audience coo and sigh, camera flashes going off continuously. Alex's jaw clenches. He shifts in his seat, barely containing his impatience. One tiny girl runs off stage in tears while others awkwardly bow. The music ends. Alex takes a sharp breath and sits up straight, gripping the roses tighter. The cellophane crinkles audibly in his hands.

Page 12

Panel 1: The orchestra begins the overture for The Nutcracker. Timpani rumbles beneath the other instruments. The curtain rises slowly. Allie is already positioned center stage in a single spotlight, posed as if holding the world up by invisible strings. Her periwinkle sequined leotard catches every light. Her white tutu is pristine and full. She wears a small tiara that glitters. Behind her, the painted backdrop shows a winter palace. Her posture is perfect, her expression serene and focused.

Panel 2: Alex's face in extreme close-up. His eyes are wide behind his glasses. His mouth is slightly open. All color drains from his cheeks as he stares at Allie on stage. Behind his lenses, his eyes shine with unshed tears. His hands release their grip on the roses—they tremble in his lap. Time seems to stop for him.

Panel 3: Allie turns slowly, her arms floating like liquid silver. She scans the audience, her eyes passing over her parents in their seats. Then her gaze flicks past them and lands directly on Alex. For half a second—just a flicker—their eyes lock. She smiles, the tiniest, most secret smile, and gives an imperceptible tilt of her crown. Then she is moving, executing a perfect bourrée, then a pirouette, her tutu spinning like a white flame.

Panel 4: Alex watches, completely transfixed. The music swells—horns bright as sunrise. Allie leaps through the air, landing soft as secrets. She flashes a microscopic grin toward Alex's direction. The stage lights catch every sequin on her leotard, turning her into a constellation. Alex's hands grip the roses so tightly that the cellophane crinkles. A single tear slides down his cheek behind his glasses.

Panel 5: The music reaches its crescendo. Allie executes a final series of perfect jumps and lands in a graceful pose, arms extended. The audience erupts in applause. Several people stand, including Allie's parents. Jake applauds from his seat but maintains an air of cool detachment. Allie curtsies, her tutu fluttering like a bird settling. Alex leaps to his feet before anyone can stop him, still holding the roses.

Alex : That's my wife! My beautiful wife!

Panel 6: Laughter ripples through the audience at Alex's outburst. Nearby adults smile and nudge each other. Charles Huxley's face flushes slightly with embarrassment, but he places a hand on Alex's shoulder with affection. Alex doesn't care about the attention—his eyes never leave Allie on stage. His cheeks burn, but his expression is one of pure, unblemished pride and adoration.

Page 13

Panel 1: The backstage corridor of Ridgeworth Theater. Older girls in feathered headdresses and glittery costumes exit from the stage door, giggling and chattering. The corridor smells of rosin and greasepaint. Alex stands waiting by the stage door, his roses clutched so tightly his knuckles are white. His red sweater stands out against the neutral backstage walls. He bounces slightly on his heels, unable to contain his energy.

Panel 2: Allie appears through the crowd of older girls, still wearing her periwinkle sequined leotard and tulle tutu. Her tiara is slightly crooked. Her face is flushed from exertion, her breathing still elevated. When she sees Alex, she stops dead. The corridor narrows to just the two of them. Alex steps forward, extending the white roses like a treaty of peace and devotion.

Panel 3: Alex stands before Allie in his red sweater, the roses extended between them. His eyes are bright, his glasses crooked. Allie takes the roses, her small nose brushing the white petals. Alex reaches up gently and straightens her tiara with his thumb. His touch grazes the warm skin of her temple. His expression is tender and reverent.

Alex : You owned the whole sky. You were the sugar plum fairy.

Panel 4: Allie holds the roses close to her chest, her eyes shining. She speaks softly, her voice barely above a whisper. Alex leans in, his glasses sliding down his nose slightly. The moment between them is intimate and profound despite their age. Around them, other dancers move past, but they exist in their own quiet world.

Allie: Thank you for the flowers, husband. I spotted you out there. When I saw you, I wasn't scared anymore.

Panel 5: Miss Jade, Allie's dance teacher, appears at the end of the corridor. She is stern-faced, wearing a black leotard and cardigan. She walks toward Alex and Allie with purpose, her expression disapproving. Alex's shoulders tense. He knows he's about to be in trouble.

Miss Jade: Young man, you belong in the audience.

Panel 6: Allie leans in quickly and whispers something urgent into Alex's ear. She squeezes his hand three times before being ushered away by Miss Jade. Alex nods, committing her words to memory. He watches her disappear back through the stage door, the roses still in her arms. His heart pounds as he turns to head back to his seat.

Allie: I'm in Swan Lake. Stage left. I'll be wearing white.

Page 14

Panel 1: Alex returns to his front-row seat. Charles hands him the program, pointing to a specific entry. Alex's eyes scan the cast list and find 'Alexandria R. Harper' listed for Swan Lake. His fingers trace her name. He wishes he had a pen to cross out the last name and write his own. Around him, other performances begin—groups of middle-aged girls dancing in various classical pieces.

Charles Huxley: Swan Lake is next, isn't it?

Panel 2: Backstage, Allie changes into a white leotard and white tutu. Her hair is retightened into a bun by Miss Jade. Her tiara has been swapped for one that looks like it has real diamonds, glittering under the stage lights. She stands in line with the other swan dancers, all wearing white, all posed in fifth position before the curtain rises. Allie is positioned stage left, exactly where she told Alex she would be.

Panel 3: The piano begins Swan Lake. The curtain rises slowly. Allie glides across the stage in perfect formation with the other swans, their arms moving in synchronized grace. Allie is on stage left, exactly as promised. She performs with precision and elegance, her movements liquid and controlled. Alex leans forward, his elbows on his knees, completely mesmerized.

Panel 4: Allie lifts en pointe, holding the position a fraction of a second longer than the other girls. The music swells. Her face shows perfect focus and control. Alex's hands grip the seat in front of him. His eyes never blink. Charles watches his son with a soft, understanding smile, recognizing something profound happening before him.

Panel 5: The music reaches its climax. The swans cross the stage in a beautiful formation. The audience holds its breath. Alex suddenly leaps to his feet before the applause even starts. His chair scrapes loudly. He is cheering with unbridled joy and abandon.

Alex : I love my wife!

Panel 6: Jake Harper, sitting several rows back with his parents, glances over at Alex. For a moment, Jake's expression shifts from disapproval to something more complex—maybe respect, maybe recognition. He gives Alex a small, knowing nod. Alex catches it and grins. In that moment, something shifts between the boys. They are no longer entirely at odds.

Page 15

Panel 1: The final curtain falls. The audience applauds as the dancers take their bows. Alex doesn't wait for the lights to come up fully—he's already moving. He ducks under the aisle rope and sprints up the side hallway, his sneakers squeaking on polished concrete. Behind him, Charles shakes his head with amused resignation.

Panel 2: Alex spots the backstage door cracked open. He slips through quickly, past older girls in feathered headdresses who glare at him like he's a lost puppy. He moves with single-minded determination, following the trail of white tutus until he spots her.

Panel 3: Allie is giggling with two other girls behind the curtain, still in her white swan costume. Alex stops just short of the tape line that marks the boundary. He is breathing hard from running. His red sweater is slightly askew. His glasses sit crooked on his face. But his eyes are locked on Allie with absolute devotion.

Alex : Alexandria Harper. You made swans feel like shooting stars.

Panel 4: The other two girls giggle and whisper to each other. One, a girl named Molly, rolls her eyes. Allie stands tall despite being five years old, completely confident. She looks at Alex with absolute certainty. Behind her, the white tutu seems to glow against the darker backstage.

Molly: Who is that boy? Allie: He's my husband.

Panel 5: Alex closes the distance between them. His shoes whisper across the scuffed floor. He throws his arms around Allie in a tight embrace while the other girls giggle. Allie's white tutu crushes against his red sweater. His face is buried in her hair. For a moment, the rest of the world disappears.

Alex : You were amazing. The best dancer in the whole world.

Panel 6: Alex pulls back and looks at Allie seriously. He extends his hand to her. She takes it, and he goes into a low bow. Allie curtsies in response, the edge of her tutu brushing against him. His right hand settles on her waist, just above the satin ribbon of her tutu, and he takes her hand in his. They begin to sway back and forth, dancing in the backstage hallway.

Alex : Dance with me. Please. Allie: Just step back and forth. Like this.

Page 16

Panel 1: Miss Jade's voice cuts through the moment like a knife. She stands at the end of the hallway, her arms crossed, her expression stern. Alex and Allie stop dancing immediately. Allie giggles softly, not at all frightened. She takes Alex's hand and leads him toward the exit.

Miss Jade: Young man! I told you backstage is for dancers only!

Panel 2: Alex and Allie emerge into the crowded lobby of Ridgeworth Theater. Parents take pictures of their daughters in tutus. Laughter and conversation fill the space. Allie and Alex weave through the adults, hand in hand. The contrast between the backstage intimacy and the public chaos is stark.

Allie: Come on, Alex. Let's find my family.

Panel 3: Gwen Harper spots them entering the lobby. She stands with James Harper and Jake Harper, all smiling. Gwen's face lights up when she sees them. Alex slips his arm around Allie's shoulders naturally, as if it's the most natural thing in the world. James's eyebrows raise slightly at the gesture, but he says nothing.

Gwen Harper: There you are! We've been looking for you.

Panel 4: Jake approaches Alex with a serious expression. He's still wearing his Little League uniform from this morning. He gestures for Alex to step away from the group. Alex reluctantly lets go of Allie's hand and follows Jake to a quieter corner of the lobby. Allie watches them go, curious but patient.

Jake Harper: Come here, kid. I want to talk to you.

Panel 5: Jake and Alex stand in the corner, out of earshot from the adults. Jake's expression is serious. He's a third-grader trying to be protective of his little sister. Alex looks up at him, meeting his gaze directly. The two boys regard each other with new understanding.

Jake Harper: Look, I don't hate you, kid. But don't break my sister's heart.

Panel 6: Alex sticks out his small hand, palm up, toward Jake. His expression is solemn and earnest. Jake stares at the tiny hand for a moment, then clasps it firmly. They shake once—a man-to-man agreement. Something passes between them in that moment. They are no longer adversaries.

Alex : Deal. I swear on every dinosaur fact I know.

Page 17

Panel 1: The Harper minivan pulls into their driveway. The house is a modest, warm-looking home with a large willow tree in the backyard. Flower beds line the front walk. The interior of the van shows Allie and Alex sitting close together in the back seat, their hands laced together. Jake sits in the third row, shaking his head but with less hostility than before.

Panel 2: Inside the Harper home. The front door opens directly into a cozy living room. The space smells of cinnamon and lemon polish. A comfortable-looking couch sits against one wall. A round dining table is visible through an archway into the dining room. The kitchen is visible beyond that. The atmosphere is warm, lived-in, and filled with love. Alex stands in the doorway, taking it all in with wonder.

Panel 3: Gwen Harper stands in the kitchen doorway, looking at Alex with warmth and kindness. She gestures toward the dining room. James Harper is in the kitchen, preparing ingredients. The aromas of cooking fill the space—garlic, tomatoes, herbs. Alex's eyes widen as he takes in the domestic scene.

Gwen Harper: Come help me set the table, Alex.

Panel 4: Alex beams and nods enthusiastically. He follows Gwen to the dining room table, which is small and round with six seats. Gwen hands him blue placemats. Alex carefully places one in front of each chair with meticulous attention. When he reaches Allie's place, he gently squeezes her hand and winks at her before moving on.

Alex : I've never set a table before. Thank you for letting me help.

Panel 5: The dining table is now set with placemats, plates, napkins, and forks. Gwen and James bring the salad, spaghetti, and garlic bread to the table. Steam rises from the pasta bowl. The family settles into their seats. Alex sits beside Allie. Jake sits across from them. James sits at the head of the table, Gwen at the other end. Everyone is ready to eat.

Panel 6: Allie points to the salad bowl, indicating Alex should serve himself. But instead, Alex picks up the salad tongs and places some in Allie's bowl first. He then serves himself and passes the bowl to Jake. He does the same with the spaghetti and garlic bread. Allie watches him with a soft smile. Gwen and James exchange a knowing glance.

Allie: You go first.

Page 18

Panel 1: Alex takes his first bite of spaghetti. His eyes widen in amazement. His cheeks are full. He swallows and looks up at Gwen Harper with absolute sincerity. His expression is one of genuine wonder and gratitude.

Alex : This is the best meal I've ever had. Better than beef Wellington. Better than lobster.

Panel 2: Gwen Harper blushes deeply. Her hand goes to her heart. James Harper smiles warmly and reaches over to squeeze her hand. Jake rolls his eyes but doesn't say anything. Allie beams at Alex, clearly proud that he appreciates her mother's cooking.

Gwen Harper: You sweet boy. You're welcome here anytime.

Panel 3: After dinner, the family moves to the living room. Allie asks Alex to help her choose a movie from their collection. The shelf is filled with animated films, some horror and action movies, and a few romantic comedies. Alex's eyes land on The Princess Bride. He pulls it from the shelf and holds it up.

Allie: Let's pick something really good.

Panel 4: Allie has changed into pink pajamas with a cupcake design and fuzzy socks with cat faces. Her tiara is still perched on her head. She sits on the couch beside Alex, who is still wearing his red sweater. A large flannel blanket drapes over them both. Bowls of popcorn rest on their laps. The opening credits of The Princess Bride begin to play on the TV.

Allie: I'm Princess Buttercup. You're Wesley. Alex : As you wish.

Panel 5: Alex puts his arm around Allie, the way he's seen his father do with his mother. Allie leans into him, her head resting on his shoulder. Her eyes are half-closed as the movie plays. Around them, Gwen and James sit on separate chairs, watching the movie. Jake is on the other end of the couch. The moment is peaceful and domestic.

Panel 6: Halfway through the movie, Allie's head is still on Alex's shoulder, but her eyes are closed. She has fallen asleep. Alex doesn't move. He holds her a little tighter, his eyes still on the screen but his heart completely focused on the girl sleeping against him. On screen, the words 'true love' appear. Alex holds Allie closer, imagining their future together.

Page 19

Panel 1: The movie ends. The clock on the mantle shows 8:00 PM. Charles Huxley's Rolls-Royce pulls into the Harper driveway. Alex's heart sinks as he realizes their time together is ending. He gently moves Allie's head from his shoulder and carefully stands up, trying not to wake her. But her eyes flutter open.

Panel 2: Allie wakes and realizes what's happening. Her face falls. She reaches for Alex's hand. Tears begin to form in her eyes. She understands, at five years old, that saying goodbye to him feels like a piece of her heart is being taken away.

Allie: You have to go?

Panel 3: Alex nods, his own eyes filling with tears. He reaches down and takes both of Allie's hands in his. Their foreheads almost touch as they stand facing each other, two five-year-olds in the grip of an emotion they don't have words for.

Alex : I don't want to go.

Panel 4: Charles Huxley stands in the Harper home's doorway, silhouetted against the light from outside. He is speaking with James and Gwen Harper, trading pleasantries. But his eyes are on his son. He can see the tears, the reluctance, the profound connection between the two children.

Panel 5: Alex and Allie embrace one last time. Alex throws his arms around her shoulders and holds her close. Allie squeezes him back with all her five-year-old strength. Neither wants to let go. Behind them, the Harper family watches with tender understanding.

Alex : I'm gonna miss you. Allie: I miss you already.

Panel 6: Alex is led toward the door by Charles. He twists back for one last look at Allie. James Harper is holding her, and she is dangling in his arms, her eyes locked on Alex's. They exchange crooked smiles—small, sad, but full of promise. Then the door closes with a soft click.

Page 20

Panel 1: The Rolls-Royce pulls away from the Harper house. Inside, Alex sits in the back seat, staring out the window. His palm is pressed flat against the glass. His eyes are wet. The Harper house recedes into darkness as the car moves down the street. Charles glances at him in the rearview mirror with understanding and compassion.

Panel 2: The Huxley mansion looms ahead, large and imposing but emotionally cold. The car pulls into the long driveway. The mansion's windows are dark except for a few lights. Alex steps out of the car slowly, his shoulders slumped. He looks back toward the direction of the Harper house, though it's out of sight.

Panel 3: Inside the Huxley mansion, Alex climbs the grand staircase to his bedroom. The house is silent and empty, filled with expensive furniture but devoid of warmth. He enters his room and closes the door. He walks to the window and gazes out into the night. Four blocks away, he can faintly see the lights of the Harper house.

Panel 4: Alex presses his forehead against the cool glass of his bedroom window. His breath fogs the pane. He places his lips against the glass and whispers into the darkness. His words are barely audible, but they carry all the weight of his five-year-old heart.

Alex : Goodnight, Sugar Plum.

Narrator:Across four blocks of darkness, Allie lies in her bed, staring at the ceiling, whispering the same words to the stars.

Panel 5: A time-jump sequence shown in quick panels. Months pass. Spring turns to summer. Kindergarten ends. First grade begins. Throughout, Alex and Allie are always together—holding hands at school, playing in the Harper treehouse, building pillow forts at the Huxley mansion. Their parents have become friends and are often seen together. Mrs. Callahan watches them with a knowing smile. The bond between them deepens and solidifies.

Narrator:The weeks turned into months. Their friendship deepened. They became inseparable.

Panel 6: Alex's sixth birthday. A pool party at the Huxley mansion. The large backyard has a sparkling blue pool. Children splash and play. Alex and Allie stand together at the edge of the pool, holding hands. Jake Harper, now nine, stands with his friends Henry and Billy. Laurel watches from a lounge chair. Madeline Huxley and Charles Huxley stand with Gwen Harper and James Harper, all smiling and talking. Birthday cake and presents are arranged on a table. Alex closes his eyes and makes a silent wish—that he and Allie will stay together forever.

Narrator:On their sixth birthday, celebrated together at the Huxley mansion, Alex made a silent wish: that they would stay together forever.

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