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THE VOID OPERATORS

The Void Operators 4

Four elite operators that work out of a unit called ISA. A special division of the ISA that has to fund its own projects to stay afloat so no one knows they exist, other than the shadow government that runs the DARPA and other US govt entities that are beyond top secret. Their first mission is to shoot a courier for the Yakuza and his 12 body guards in a 13th floor hotel room. THey are carrying 300 million worth of diamonds in two suitcases. The lead operator Jack is on the 13th floor outside the room waiting for the shot. The black man thin, very muscular, is on the rooftop a mile away and fires the shot from a massive sniper rifle. Hits through the glass and kills four yakuza off the bat. Then the middle eastern agent outside the room with Jack, the tall white thin athletic leader breaks into the room by using his cell phone and armed with silenced handguns shoots them all in the head in 4 seconds. The asian lady that is small and behind a large computer screen is monitoring everything and talking them through it and organizing everything. Jack and keenan the middle eastern man take the two suitcases and take the elevator down. The black agent Jack is waiting downstairs in a black lexus limousine for them. They then pick. up Jada, the asian lady at another building. They all proceed to get onto a private jet to fly to Panama to exchange the diamonds for funds in a Papal bank account with the vatican that is safe from prying eyes. On the plane they look at the diamonds. they take some champgne and toast to funding more secret projects through the ISA. That allows them to use all US govt assets with the presidential seal, so to access no questions asked.

They are in an underground base in Turkey, in an unknown location north of Izmir Air Force Station. James, Marissa, Jake, Keenan, and the newest addition to the team, a 9S100 AF operator with special talents and security clearance that is high enough. They liked him so brought him on board because he is able to measure anything on the planet from nuclear blast to alien crashed ships letting off radiation or energy. The task for this iteration is to go into an Iraqi museum of antiquities and come out with whatever is in box 1771. A supposed alien energy source that the Iraqis found 40 years ago during an archeological dig, which they had no idea what they had found. So they cataloged it and put it in the basement of ancient things that they had no idea if were important. So they couldn’t parachute in because James hadn’t been trained, and couldn’t afford to lose him. So they were driving across the border in a Toyota Tacoma, a larger Toyota with James, Keenan and Marissa in the back with Jake driving and Drew in the passenger seat. They got into Iraq by avoiding the border crossing. They created a diversion and avoided any questions. They drove South with an extended gas tank. They did have to stop in a Kurdish town for gas. Keenan did all the talking and filled up the tank. They took off without any issues. They did stop at a kebab stand where the lamb was on a vertical spit and they cut it off in front of them and had fresh kebabs wrapped in a pita. They all ate on the street in front of the Toyota. They drove through the city of Baghdad across the great river on a stable bridge that the US had rebuilt for them. They pulled up in front of the Iraqi museum of antiquities and got out with their black military uniforms, with Jake and James wearing London Bridge backpacks, and everyone pulled black baklava and opened the door. Keenan shouts out that we control the museum now. Drews and Jake tossed grenades into the museum with their left hands. The grenades let off electricity and caused neurological conditions, and everyone in the museum fell to the floor foaming at the mouth and having a minor seizure; they all soiled themselves. Then the five black uniformed people walked down the stairs. They found a curator in the huge cavern of a basement and Keenan asked him for crate 1771. The curator ran away, so Keenan shot him in the back, and he fell down. Drew said, “James, you’re up.” James got into his backpack, set up his laptop, and attached several pieces of equipment. He adjusted knobs and kept typing. Then after 5 minutes asked Drew if he had any luck. James stood up with his laptop and holding a large black wand and started walking forward. He walked for about 400 feet. He stopped and lifted the large black wand to the left and started walking between a gap between crates that were stacked four high. He found the 1771 crate and he stood there. Then he walked five feet to the left to crate 2482. He said this is the odd crate. So they broke open 1771 to find a golden owl. Then they walked over to crate 2482 and broke it open from the side. They found a large triangular piece of metal with grooves in it. James pulled out an additional black ball and placed it on the piece of metal in a triangular shape that had a dull steel appearance with 8 grooves that were all horizontal going across the metal. He said this is it. It is putting noff n odd radiation pulse and electrical activity that I have not measured before. It has enough energy to register as a nuclear blast, but not a dangerous amount of radiation. It was heavy, so it took Jake, James, and Drew to lift it on its three corners and walk up the stairs. Keenan led the way, and Marissa pulled up the rear. Two guards were running down the stairs, and Keenan took his HK416 rifle and unloaded into the two guards who didn’t know what was happening. He ran up and dragged both their bodies out of the way of the three men trying to get up the stairs and get through the door. Keenan ran up after that and zip tied all the people in the museum that initially got the incapacitating grenades. They carried the heavy triangle metallic device out the museum to note that two armored vehicles pulled up. Keenan ran up and tossed two of the neuro grenades into each opening of the up-armored vehicles. There was a loud echoing pop inside the vehicles. Then it was silent. SO they loaded the triangle into a large hardcover plastic case in the back of the Toyota. Wrapped it in a protective moving blanket. Then locked it closed. Then secured it in the back of the Toyota. Then they got into the Toyota and took off down the streets of Baghdad. As they took off, several up-armored vehicles with 50-cal guns opened fire on them. They had bulletproof glass in the Toyota that would easily repel 5o cals and small rockets. This mission is national security. They are not going in with just a normal Toyota. As they accelerated, the up armored vehicles pursued with several jeeps following and started to overtake. Then Jake, who was driving, pressed a button on the console and hundreds of three-inch triangular titanium spikes that were four-pronged bounced all over the street. The vehicles’ tires all got punctured, and there was nothing they could do to keep up. There was a point where the street came to a Y-intersection, with two tanks on the road to the left and right. 1980’s tanks that were from the Iraqi Iranian war. So Drew pulled out a javelin anti tank weapon and Keenan in the back seat loaded a round into the back chamber. Drew put the weapon out the right side of the window in the passenger seat and fired it. It promptly destroyed the rank to the left. The tank on the right fired, and the round landed in front of the Toyota and lifted it up a foot off the ground. Keenan promptly went outside the window int eh back seat and loaded a second round. Got back inside and Drew fired again and destroyed the second tank. Then Jake drove around the damaged tank on the sidewalk. They sped through the streets at this point at 120 mph and just kept honking the horn until they got to the bridge. Then they threw a drone out the window. Another jeep was behind them. Marissa took the drone remotely and flew it into the jeep, and the jeep overturned and it blew up. They then drove back to the kebab stand to get some more kebabs, the beset they had ever had to celebrate. Then drove across the border into Turkey. They handed the border guards a bag of 1 million Turkish lira, and the guards who survived off literally nothing gladly let them through the crossing. Then they drove to the base in Incirlik, an American AF base to have the artifact secured. They stopped at the gate and showed their credentials. The gate guards didn’t believe them. So Drew made a fe phone calls and withing 20 minutes the 1 star general was at the gates himself to escort them onto the base and yell at his security guards. Drew told the base commander that he needed to get to Ramstein AFB as quickly as possible. National security level Magna Blue level 10. So the Base commander started calling for the flight line to get a C-130 prepped to be up and ready in 20 minutes and to be escorted by six F-23’s to be taken to Ramstein AFB. It only took the Toyota driven to the flight line, the Toyota was unloaded and transferred to the C-130, and Drew asked for 10 combat controllers to accompany them to Ramstein. The general made a phone call, and the Combat controllers were fully geared up and on the craft running up the ramp, ready to go on the spot. Drew was impressed, nodding his head to the team members on how impressive the Air Force was and how proud he was to be an American. Drew spoke up over the propellers and said I appreciate you boys protecting us on the jaunt up to Ramstein. They all nodded, looking extremely professional. Like trained killers. On the flight, Drew tried to explain that what was in that case was a highly classified retrieval from a foreign country, and this mission is of the highest classification of national security. He had them sign non-disclosure agreements that would send them to a black site prison for the rest of their lives. Just to ensure they understood the level of secrecy. He also had James sign one. When they landed in Ramstein the four star general was on the flight line awaiting their arrival. Upon debarking the aircraft, the four-star immediately saluted Drew. Then Drew handed over his badge and a piece of paper stating he had presidential authority, no questions asked. Then he asked for a drone to carry back the package to Pope AFB as soon as possible. The general called on his walkie talkie and had the drone on the runway in 20 minutes. They loaded it aboard. Drew was impressed once again with the efficiency of the US Air Force. Then they went to the dining hall with Jake, Keenan, Marissa, and James. They sat down with their food and the general, then asked if James would like to join their ISA splinter cell. James couldn’t believe how honored he wa and immediately said Yes, without hesitation. This is no easy job and will take up your life and will require a lot of patience from you. James said he understood. Then Drew handed over a check for 250,000 dollars for his work. He was stunned. Drew said you earned it. Welcome to the Void. We operate between the Grey and the law. When the people who work in the shadows need things done, and they need no questions asked and no one to trace the money, they call us. We have to procure our own funding every once in a while by taking money from the bad guys who earned it by doing bad things and having them donate to us. The idea is that the United States is the world leader, the world’s police, and the one who protects the world from bad actors. So we do anything necessary to keep the world safe, and sometimes that means bending the rules and getting things done.

ActionDigital ArtEnglish8 pages
▸ CAST

CHARACTERS

Drew

protagonist

White tall athletic build, muscular, leader, brown hair, really good looking

Keenan

supporting

Games bond appearing arab man with light stuble for beard and hair that is black and long enough to stand up slightly in a fasahionable way

Marissa

supporting

Small asian lady, beautiful

Dr. Li Wei

antagonist

Head scientist for the DNA altering aerosol

PLA commander

antagonist

Commander in charge of the evili DNA. weapon

delta force

protagonist

elite tier 1 miitary professionals

Colonel Ryan Oaks

supporting

A 45-year-old man with a weathered face, short dark brown hair in a military cut, and stern blue eyes. He has an athletic, commanding presence and typically wears a dark green tactical military uniform with rank insignia, suitable for a Delta Force commander. His posture is always precise and disciplined.

PLA Guard

minor

A young adult man with short, neat black hair and alert brown eyes. He wears a crisp, dark green People's Liberation Army (PLA) uniform, complete with a service cap and belt, and carries a standard-issue assault rifle. His build is average and disciplined.

Dr. Marcus Chen

supporting

A middle-aged man in his 50s, with short, slightly receding black hair and intelligent brown eyes behind wire-rimmed glasses. He has a serious, often grave expression. He wears a clean white lab coat over a professional button-down shirt and slacks, befitting a DARPA scientist. His build is average.

Shanghai Guard

minor

A young adult woman with short, dark hair and a bored expression in her dark eyes. She wears a standard corporate security guard uniform, likely dark blue or grey, with a nametag. Her build is average.

Winston

minor

An adult man in his late 30s or early 40s, with short, neat brown hair and kind, friendly eyes. He has an average build and is typically seen in comfortable, casual summer attire like a t-shirt and shorts, reflecting a relaxed, supportive demeanor.

James Archuleta

supporting

Voice Contact

supporting

old while man in his 80's

James Archuleta's Wife

supporting

long haired brunette in nures scrubs

Child 1

supporting

little girl with brown hair

Child 2

supporting

innocent child with carttoon shirt

Harry Eragon

protagonist

Navy captain

PAGE 1

Panel 1:An underground military command center carved into rock. A war table displays holographic maps of Iraq and the Iraqi Museum of Antiquities. Banks of monitors glow blue and green. Drew stands at the head of the table in black tactical gear, arms crossed. Jake, Keenan, and Marissa stand around the table in similar tactical dress. James Archuleta, a white man in an Air Force flight suit with technical sergeant insignia, stands slightly apart, studying a tablet showing energy readings. The walls are reinforced concrete with embedded steel beams. Harsh fluorescent lights cast sharp shadows.

Drew: This is crate 1771. Iraqi Museum of Antiquities, basement level. Marissa: Energy signature is off our instruments, sir.

Panel 2:Close-up of James Archuleta's face as he looks up from his tablet, eyes focused and serious. His flight suit collar is visible. Behind him, slightly out of focus, the holographic map rotates, showing the museum's basement layout.

James Archuleta: I've never seen a radiation signature like this.

Panel 3:Drew leans forward over the war table, his muscular frame silhouetted against the holographic display. His brown hair catches the blue light. Keenan and Jake exchange a glance in the background, both understanding the weight of the mission. Marissa's small frame stands rigid, hands on the table.

Drew: We go in quiet. Get James in, get the crate out. Keenan: What about the museum staff?

Panel 4:Drew's face turns toward Keenan. His jaw is set. His eyes are cold and professional. Behind him, the holographic map shows the route through Baghdad's streets marked in red.

Drew: They won't remember us being there.

Narrator:The mission is national security. No questions. No hesitation.

Panel 5:Wide shot of the entire team standing around the war table. Each member checks their gear: Jake tightens a magazine pouch, Keenan adjusts his black balaclava, Marissa secures a tactical headset, James runs through his equipment checklist on his tablet. Drew stands centered, observing them with quiet confidence. The concrete walls of the bunker stretch into shadow beyond them.

Narrator:Five operators. One objective. Forty-eight hours to extract and exfil.

Panel 6:The team walks toward a reinforced doorway at the far end of the command center. Their silhouettes are backlit by harsh light spilling through the open door. They move in tactical formation, weapons at ready. The concrete floor reflects the light.

Narrator:The Toyota waits. The border waits. History waits.

PAGE 2

Panel 1:A fortified Toyota Tacoma painted matte black, parked on a dusty road near the Turkish-Iraqi border. The truck's windows are visibly thick and reinforced. Extended gas tank is mounted on the rear. Jake sits in the driver's seat, hands on the wheel, eyes forward. Drew occupies the passenger seat, scanning the horizon. In the back, visible through the truck bed, Keenan, Marissa, and James sit on reinforced bench seats, weapons resting across their laps.

Jake: Border checkpoint ahead, two kilometers.

Narrator:The crossing would not be easy. The crossing would not be clean.

Panel 2:The Toyota approaches the border checkpoint. Two concrete barriers block the road. Four Iraqi soldiers in tan uniforms stand with rifles, waving the truck to stop. Behind them, a small guardhouse with a faded Iraqi flag. The sun beats down mercilessly on the cracked asphalt. Drew's hand moves to the radio on his vest.

Drew: Keenan, now.

Panel 3:A drone launches from the truck bed, a small quadcopter with a mounted speaker. It rises above the checkpoint, hovering thirty feet up. The Iraqi soldiers look up, confused, their rifles lowering slightly. In the guardhouse, officers peer out at the distraction.

Narrator:Diversion protocol engaged. Three seconds to clear.

Panel 4:The Toyota accelerates hard to the right, swerving around the concrete barriers onto the unpaved shoulder. Dust explodes around the wheels. The Iraqi soldiers shout and raise their rifles, but the truck is already past, racing across open desert toward the interior of Iraq. The drone continues its distraction loop above the checkpoint.

Panel 5:Interior of the Toyota. Keenan sits in the back, hand on the radio, speaking rapid Arabic into his headset. His black hair stands slightly up, fashionably styled. His light stubble catches the sunlight through the window. Behind him, Marissa monitors a tactical display on a ruggedized tablet. James sits rigid, gripping his equipment case.

Keenan: Checkpoint compromised. Moving south on Highway 1.

Panel 6:The Toyota races down a desert highway, a plume of dust trailing behind it. Distant mountains rise on the horizon. The road ahead is empty. Jake's hands grip the steering wheel firmly, his muscular forearms tense. Drew sits beside him, one hand resting on an HK416 rifle.

Narrator:Two hundred kilometers to Baghdad. No air support. No backup.

PAGE 3

Panel 1:The Toyota pulls into a small Kurdish town, slowing to navigate narrow streets lined with low concrete buildings. A fuel station ahead has a single pump. Local civilians in traditional dress walk the streets, paying little attention to the truck. Jake downshifts, rolling to a stop at the pump. Keenan opens the rear door, stepping out in his black tactical uniform and balaclava, which he lowers to reveal his handsome Arab features and fashionable black hair.

Keenan: Fuel stop. Twenty minutes, max.

Panel 2:Close-up of Keenan at the fuel pump, speaking fluent Kurdish to the elderly station attendant, a weathered man in a faded shirt. Keenan's Arabic accent is barely perceptible as he switches languages. His hand rests casually on the pump handle. Behind him, the Toyota sits idling, windows tinted, occupants invisible.

Keenan: Full tank. Keep the change.

Panel 3:The team stands on the street in front of a kebab stand, where a vertical spit of lamb rotates over charcoal. The vendor, a middle-aged man with a broad smile, cuts strips of meat directly from the spit onto pita bread. Keenan, Jake, Marissa, Drew, and James stand in a loose line, holding their wraps. Steam rises from the fresh bread. The late afternoon sun casts long shadows across the street. Each operator holds their kebab casually, eating with the discipline of soldiers who fuel their bodies without distraction.

Jake: Best lamb I've had in months.

Panel 4:The Toyota continues south on Highway 1 as the sun begins its descent. The landscape transitions from desert to more populated areas. Concrete buildings appear more frequently. The road ahead shows the sprawl of Baghdad in the distance, a haze of buildings and smoke.

Narrator:Baghdad. City of the Tigris. City of a thousand eyes.

Panel 5:The Toyota crosses the Tigris River on a reinforced concrete bridge, its span stretching nearly half a mile. Below, the muddy water flows slowly. On either side of the bridge, the sprawl of Baghdad's eastern and western districts. The truck maintains steady speed. In the background, minarets and domed buildings rise above the urban landscape. The bridge's surface shows the scars of reconstruction.

Marissa: Museum is three kilometers ahead, east sector.

Panel 6:The Toyota pulls to a stop in front of the Iraqi Museum of Antiquities, a sprawling four-story neoclassical building with carved stone columns and a grand entrance. The building shows signs of age and neglect, with patches of faded paint and cracked stonework. Tourists and local visitors walk the grounds. The team exits the vehicle, each member pulling a black balaclava over their face. Jake and James sling London Bridge tactical backpacks over their shoulders. Drew checks his HK416. Keenan's hand rests on the radio at his chest.

Keenan: We control the museum now.

PAGE 4

Panel 1:Drew and Jake stand at the top of the museum's exterior steps, each holding a spherical grenade in their left hand. The museum's front doors stand open behind them. Inside, visitors move about the grand lobby, unaware. Drew's muscular frame is tense, ready. Jake's dark skin glistens with sweat from the drive. Both men have their right hands on their rifles. The late afternoon light casts their shadows down the steps.

Panel 2:Inside the museum lobby, the grenades detonate silently—no concussive blast, only a faint electrical crackle. A blue-white pulse of energy expands outward. Visitors throughout the lobby collapse immediately, their bodies convulsing in minor seizures. Foam flecks their mouths. Several have soiled themselves, their bodies overcome by the neurological shock. The lobby is a scene of controlled chaos: tourists and staff writhing on marble floors, administrative staff slumped at desks, security guards immobilized. The elaborate chandeliers and painted ceiling remain pristine above the chaos.

Narrator:Incapacitating pulse. No permanent damage. No witnesses.

Panel 3:The five operators move down the museum's grand marble staircase in tactical formation. Drew leads, rifle raised. Keenan follows, scanning left. Marissa moves center. Jake covers right. James descends last, his equipment case held firmly against his chest. The staircase curves elegantly downward, lined with classical statuary and painted frescoes. Below, the basement opens into a massive cavern-like space filled with rows of wooden crates stacked four high, stretching into shadow.

Panel 4:The basement cavern stretches endlessly, a warehouse of antiquities. Wooden crates are stacked in military precision, each labeled with handwritten numbers and dates. The air is cool and dry, climate-controlled. Dust particles float in the fluorescent light. A single curator, an elderly Iraqi man in glasses and a cardigan, stands frozen near a desk, his face registering shock at the sudden invasion. Behind him, filing cabinets and ledgers.

Keenan: Crate 1771. Where is it?

Panel 5:The curator's face shifts from shock to fear. His mouth opens as if to speak, but instead he turns and runs deeper into the cavern, weaving between crate rows. His cardigan flutters as he moves. Behind him, Keenan raises his HK416 in one smooth motion.

Panel 6:The curator falls forward, his body crumpling between two crate rows. Blood pools beneath him. The sound of the silenced rifle is barely audible—a soft pfft. Keenan stands over the body, rifle lowered, his black hair and light stubble visible above his balaclava. Behind him, the rest of the team continues deeper into the cavern. Drew turns his head slightly toward James, a gesture of readiness.

Drew: James. You're up.

PAGE 5

Panel 1:James Archuleta kneels beside a clear space in the cavern floor. He opens his London Bridge backpack and withdraws a ruggedized laptop computer, several pieces of specialized equipment including a frequency analyzer, and a large black wand-like device with a grip and digital readout. His Air Force flight suit is pristine despite the dust. His fingers move with technical precision, connecting cables and calibrating instruments. The screen glows blue as he boots the system. Drew stands nearby, watching. Marissa holds a tactical light, illuminating James's work area.

Panel 2:Close-up of James's face as he concentrates on the laptop screen. Lines of code and energy signatures scroll across the display. His fingers fly across the keyboard. Sweat beads on his forehead from concentration. The blue glow of the screen reflects in his eyes. Behind him, the dark cavern stretches into infinity.

James Archuleta: Scanning for exotic energy signatures.

Panel 3:Five minutes pass. James stands, holding the large black wand in his right hand like a divining rod. The device has a digital readout and several adjustment knobs along its length. His left hand grips the handle firmly. The wand points slightly downward, its tip glowing faintly red. Behind him, the entire team waits in silence, weapons at ready, watching the endless rows of crates.

James Archuleta: Got something. Energy signature is... massive.

Panel 4:James walks forward through the cavern, the black wand held before him like a metal detector. He moves with deliberate steps, scanning left and right. The crate rows tower above him, four high, stretching back into darkness. His eyes are locked on the wand's readout. The team follows twenty feet behind, maintaining tactical spacing. The wand's red glow intensifies as he moves.

Panel 5:James stops and tilts the wand to his left, pointing it between two crate rows. The readout spikes. He adjusts a knob on the wand's handle, fine-tuning the scan. The crates on either side are labeled with faded numbers and dates. His face shows concentration. Drew moves up beside him, rifle ready.

James Archuleta: Between these crates. Four hundred feet in.

Panel 6:James walks deeper into the gap between crate rows, the wand held steady. After walking approximately four hundred feet, he stops in front of a large wooden crate labeled '1771' in faded white paint. The crate is four feet tall, three feet wide, reinforced with steel bands. James stands before it, wand still raised, the readout glowing steadily. Behind him, the crate rows stretch back toward the team. His shadow is cast long by the fluorescent lights.

James Archuleta: Found it.

PAGE 6

Panel 1:James stands five feet to the left of crate 1771, his wand pointed at a different crate labeled '2482'. The readout on the wand spikes dramatically, the red glow intensifying to a bright crimson. His face shows surprise. He adjusts the frequency dial, double-checking the reading. Crate 2482 is slightly different from the others—its wood appears newer, less weathered, reinforced with additional steel bands.

James Archuleta: Wait. This one. Crate 2482. This is it.

Panel 2:Drew and Keenan move forward with pry bars. They position themselves on either side of crate 1771 and wrench the wooden slats open. Dust and splinters fly. Inside, nestled in straw packing, sits a golden owl sculpture, intricately carved, approximately two feet tall. Its eyes are set with lapis lazuli. The owl's wings spread protectively. The sculpture is undeniably ancient and valuable, but it holds no special energy signature.

Panel 3:The team moves to crate 2482. Drew and Keenan position their pry bars and wrench the side open with more force. The reinforced steel bands resist but eventually snap. The wooden slats splinter. Inside, wrapped in protective cloth, sits a massive triangular piece of metal approximately four feet on each side. The metal has a dull steel appearance with eight perfectly horizontal grooves running across its surface. Its weight is visibly substantial—the cloth sags with it.

Panel 4:James pulls a large black sphere from his equipment case—approximately the size of a baseball. The sphere is smooth and featureless except for a small LED indicator on its surface. He carefully places it into the center of the triangular metal device, where the grooves converge to form a natural socket. The moment the sphere contacts the metal, it begins to glow faintly blue. The triangular device's grooves seem to pulse with the same frequency.

James Archuleta: This is it. Unidentified radiation pulse. Electrical activity off the charts. Energy signature matches no known terrestrial source.

Panel 5:James stands back, studying the activated artifact. The blue glow pulses steadily. His face shows professional concern mixed with awe. Behind him, Drew kneels beside the artifact, assessing its weight and dimensions. The artifact's surface reflects the blue light in strange patterns.

James Archuleta: Energy output is equivalent to a nuclear source, but radiation is minimal. Safe to transport.

Panel 6:Drew, Jake, and James position themselves at the three corners of the triangular artifact, preparing to lift it. The metal is clearly heavy—their muscles tense with the effort. Keenan stands ready with his rifle, covering the approach. Marissa checks her tactical display, monitoring for any approaching threats. The artifact begins to rise off the ground, its blue glow intensifying with the movement.

Drew: On three. One... two... three.

PAGE 7

Panel 1:The team moves toward the basement stairs, carrying the triangular artifact. Keenan leads, rifle raised, scanning ahead. Drew, Jake, and James struggle slightly with the artifact's weight, their muscles straining as they navigate through the narrow crate rows. Marissa follows, her rifle covering their rear. The artifact's blue glow casts eerie shadows on the crate walls as they move.

Panel 2:As the team approaches the staircase, two Iraqi security guards round a corner ahead, rifles raised. Their faces show shock and confusion at the sight of the armed operators and the glowing artifact. One guard shouts in Arabic. Keenan doesn't hesitate—he raises his HK416 and fires a controlled burst.

Panel 3:The two guards fall, their bodies crumpling on the staircase steps. Blood spreads across the marble. Their rifles clatter beside them. Keenan moves forward and drags both bodies to the side, clearing the staircase for the team carrying the artifact. His movements are efficient and practiced. His balaclava is still in place, his face a mask of professional focus.

Panel 4:The team continues up the staircase with the artifact. The grand lobby above is visible, still filled with incapacitated museum visitors and staff. Keenan reaches the top of the stairs first, rifle raised. Drew, Jake, and James struggle upward with the artifact, their faces strained from the effort. Marissa covers their ascent, moving backward up the stairs.

Panel 5:Keenan moves through the lobby with practiced efficiency, his rifle sweeping the space. He approaches each incapacitated person—tourists, staff, security—and uses zip ties to secure their wrists and ankles. The people are still partially conscious from the neuro-grenade, unable to resist or call for help. Keenan works methodically, ensuring none can interfere with the team's extraction. His movements are quick and practiced.

Panel 6:The team exits the museum through the grand doors into the late afternoon sun. They move toward the Toyota, which sits idling at the curb. The artifact is loaded into the truck bed first. A large hard-shell plastic case sits open in the truck bed. The artifact is carefully placed inside, then wrapped in protective moving blankets. Keenan secures the case with heavy-duty latches and carabiners. The artifact's blue glow is now hidden inside the case. The team moves with urgency—they have perhaps five minutes before the museum's alarms fully activate.

PAGE 8

Panel 1:The Toyota accelerates hard through Baghdad's streets, tires squealing on asphalt. Behind them, three up-armored Iraqi military vehicles with 50-caliber machine guns mounted on their roofs pursue at high speed. Muzzle flashes erupt from the pursuing vehicles. Rounds impact the Toyota's bulletproof windows and reinforced panels, leaving small dents and scorch marks but no penetration. The truck's armor holds. Jake grips the steering wheel, his muscular forearms tense, eyes locked on the road ahead.

Panel 2:Drew sits in the passenger seat. His hand moves to a red button on the console. He presses it firmly. Behind the Toyota, the road surface suddenly erupts with hundreds of three-inch triangular titanium spikes, four-pronged, bouncing and spreading across the asphalt. The pursuing vehicles' tires puncture and shred. Vehicles swerve, losing control. One flips. Another slides sideways, its 50-caliber gun now pointing uselessly at the sky.

Drew: Spike deployment.

Panel 3:Jake navigates the Toyota through Baghdad's congested streets at high speed. Ahead, a Y-intersection appears. Two 1980s-era tanks—relics from the Iran-Iraq War—are positioned on either fork of the intersection, their gun barrels pointed toward the Toyota's path. The tanks' paint is faded and weathered, but their main guns are clearly functional. Iraqi soldiers stand in the turrets. The sun casts long shadows across the intersection.

Marissa: Tanks. Left and right forks ahead.

Panel 4:Drew pulls a Javelin anti-tank missile launcher from beneath the passenger seat. The weapon is sleek and modern, a stark contrast to the ancient tanks ahead. Keenan, in the back seat, inserts a missile round into the rear chamber with practiced precision. He nods to Drew. Drew raises the weapon out the passenger window, the targeting reticle glowing red. His face shows absolute focus.

Keenan: Round loaded.

Panel 5:Drew fires the Javelin. The missile launches with a bright flash and white smoke trail. It streaks across the intersection and impacts the left tank with a massive explosion. The tank's turret is blown clean off, spinning through the air. Flames erupt from the tank's hull. The explosion echoes through Baghdad's streets. The right tank immediately fires its main gun in response—a 125mm round that impacts the street directly in front of the Toyota, lifting the truck up approximately one foot off the ground. The impact is violent but the truck's suspension absorbs the shock.

Panel 6:Keenan immediately loads a second Javelin round into the launcher's rear chamber. He hands it forward to Drew, who raises it out the window again. The right tank is reloading, its crew scrambling to fire again. Drew's face is calm, professional. The targeting reticle locks on the right tank. He fires. The missile streaks across the intersection and impacts the right tank's hull. Another massive explosion. The tank erupts in flames, its gun barrel twisted upward at an impossible angle.

Keenan: Second round ready.

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